THE EMPTY CHAIR
The notification arrived split into three lines over the threshold. Field presence. Occupancy check. Remaining indoors recommended. Valdo read it without bending down. The empty basin was still on the blue cloth, and the chair Ilva had dragged made a low wall between the door and the table. Nael was by the cracked mill, looking at the yard through a gap. The saúvas were carrying pieces of dry leaf under the screen. The pequi seedling was left with two green stalks, thin as burnt-out matches. Who lives beyond the stake, she asked. He did not answer at once. Outside, a woman coughed, then spoke quietly to someone. The cameras fixed to the façade followed the shadow of two bodies before recognising the faces. Valdo moved the chair closer to the table. The film on his neck lifted at one corner when he turned his head. Say it, Nael. The old man drew his hand across the tabletop. There was a layer of flour on his knuckles, left by the corn from the afternoon before. I said Antônio lived there. The covered portion remained in the bedroom. Ilva stood up slowly, protecting the short band on her leg. Antônio's name had entered the rental company's technical volume along with the walk, the stake, the ditch and the hollow stone. His son would receive a forty-three-second message before learning that his father had become a reference point for an excavation. You only said the name, she asked. I said he had a bar. That he had a house. Valdo let the air out through his nose. The woman in the street asked for voice authorisation to come in. The request did not come from the mining operation. The rental company had sent its data collectors, paid to produce legible occupancies wherever there was disputed ground. On the woman's panel, the name Antônio lit up beside an occupancy line. Nael passed his hand over the cloth that covered the blue mark. I also said he didn't know about the house. Ilva looked at him. That part wasn't in what you told us. Because the lens man asked if Antônio knew the curve. I said no. Ilva pulled the band on her leg up until it covered the skin above the knee. Antônio was kept out of the secret, but his name stayed fastened to the earth. Nael had chosen for him an ignorance that could look like protection to those inside the house and like abandonment to whoever came back. The woman repeated the request. This time, her voice came with contained irritation. Valdo leaned his shoulder against the door frame. If they come in, they'll find the pan in the bedroom, the food set aside, the bed slept in. They'll say he lives here and that the community knew. The house had its door open to the street and shut to the absent man. Ilva knew this kind of reckoning. A person could vanish from a map for lack of bodily authentication, but one reserved plate was enough to give work to a whole team. Nael went to the bedroom. He came back carrying Antônio's portion inside the folded lid. He did not bring the shallow pan. He put the corn on the table, near the three parts already broken. Valdo raised his face. You're going to give them food. I'm going to give it to whoever comes saying Antônio lives here. The woman asked to come in for the third time. Nael took the chair away from the front of the door. He carried it to the back of the porch, by the adobe wall where the service ducts climbed to the roof. Then he picked up the lid with the portion and went out to the threshold. Ilva held his arm. You've already handed over too much path. He looked at her hand, then at the torn screen in the yard. When he guided the machines, he was paid for the route opened. Later, he learned that the route paid again when someone needed to prove there was no one at the end of it. The memory did not wash him clean. It stayed in the knee, in the short speech, in the calculation of how many steps an excavator needed to reach a buried door. I said Antônio didn't know, he said. Now they'll hear it from me. Ilva let go of his arm. Valdo took the chair to the end of the porch and sat facing the street, resting his injured index finger on his thigh. He did not offer his face to the panel. He did not ask for credit. He stayed there like someone waiting for transport, though he had already lost the truck, the reservoir and the search. The door opened inwards. Two data collectors were waiting under the sun, a woman in a grey vest and a man with a lens on his chest. Behind them, the datacenter steam rose above the ducts, carrying into the sky the water the valley would not get back. Near the gutter, a gecko left the shade of one pipe and ran to the next, crossing earth too hot to stay on. Nael held out the lid. There are four people here when Antônio comes back, he said. Today there are three. Valdo reached the blue cloth through the gap of the door and covered the whole curve. The woman lowered her eyes to the food. The lens man came a step closer, and the façade camera moved down with him. Nael kept the lid between them. Then he set it on the ground, outside the door, and pulled the empty chair up beside it.
Energy and water
| Generation | 87,920 tokens in 6 model calls | measured |
|---|---|---|
| Water | ~176 ml for generation, 2 ml per thousand tokens | estimated |
| Video | 61 Wh on the graphics card only (4090) | measured on the GPU |
| Translation | ~6,779 tokens for the English version, Claude (Anthropic) | estimated |
| Printing | printing, machine and paper are added when the sheet leaves the printer |